Stephen Goosson was Columbia Pictures' supervising art director for 25 years. A gifted artist, he is responsible for some of the most memorable sets in Hollywood history; from the oversized mansion towering over Mary Pickford in Little Lord Fauntleroy (1921) to the fun house with its hall of mirrors in The Lady from Shanghai (1947). Goosson was an architect in Detroit before starting in pictures as art director for pioneer film producer Lewis J. Selznick (father of David O. Selznick) in 1919. he went on to work for Mary Pickford Productions, Frank Lloyd, DeMille Pictures as well as Fox before being hired by Columbia, where he remained for the rest of his career. From pencil drawings to final full-scale sets and regardless of budget, his work was always extremely rich in details, and always thoroughly researched and authentically built. N...read more